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В Bazar.BG от 05 октомври 2014г.
Последно активен днес в 17:38 ч.
Anton Terziev’s early ink-on-paper portrait is a compelling study in economy of mark and emotional resonance. In this work, Terziev pares down facial features to bold, gestural strokes, allowing the white of the paper to define form as much as the black ink. The interplay of dense, calligraphic lines in the hair against the sparest suggestion of eyes and nose creates a tension that feels both intimate and mysterious.
Compositionally, the off-center placement of the head and the loose, almost abstract wash on the lower left lend the piece a dynamic asymmetry—our gaze is drawn first to the dark cascade of hair, then pulled across the negative space into the smudged textures below. This balance of heavy and light not only emphasizes the sitter’s impassive expression but also evokes a sense of landscape or memory bleeding into portraiture.
Terziev’s confident brushwork shows an early command of rhythm and pace: thick, decisive strokes contrast with feathered, whisper-thin lines, suggesting both strength and vulnerability. To elevate this promising drawing even further, a slightly richer tonal gradation—perhaps through controlled ink washes—could deepen the sense of volume in the face while maintaining the work’s powerful immediacy.
Overall, this piece marks a strong, expressive debut: Terziev’s willingness to embrace imperfection and ambiguity results in a portrait that feels alive, raw, and arrestingly modern.
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